Watch the making of ‘La Gata Perduda’
Reading about ‘La Gata Perduda‘ in these posts must be a somewhat frustrating experience. After all, it has often been
Tag: Traction
The night of the première
Nature doesn’t have a sense of humour, so it’s just coincidence that I’ve caught my first dose of Covid-19 in
Virtual Realities (Part Three)
But for the first two hundred years of its life spectacle, associated in particular with stage technology – referred to
Virtual realities (Part Two)
If you go to experience Out of the Ordinary/As an nGnách at the Dublin Fringe Festival today, you’ll be greeted
Four years to get here, four weeks to go
Exactly a month from now, on 7 October 2022, the second and final performance of La Gata Perduda will happen
Old Words #6: Cultural policy in a post-political age (2021-22)
Neglecting the origins and principles of cultural policy is damaging because it will lead to to confusion at best and illusion at worst, both of which will make democratic accountability more difficult. In that respect, these developments are in keeping with the powerful—and dangerous—practices of many politicians in democratic societies today. Cultural policy is not immune from this infection.
A Podcast about “O Tempo (Somos Nós)”
Last week, I sat down with my friend Arlene Goldbard to record the latest episode of our podcast, “A Culture
‘Write this down’
It was the end of a long day. We’d run out of time and the guards needed to get us
Building with humanism
It has been a quiet joy to spend so much time in the Calouste Gulbenkian Foundation’s facilities in the past
The meaning of risk in community art
Three days ago, anticipating the first performance of the Leiria prison opera, I wrote that I didn’t expect to see
François Matarasso 