Tag: practice

Power, promises and participatory arts

Circuit is a four year programme, led by Tate and the Paul Hamlyn Foundation, that aims to connect young people with galleries and museums. Roz Hall is the programme’s critical friend and she has written an interesting post on ‘Peer Led approaches… Read More

The value of everyday evaluation

‘We all began with the best of intentions, and then ran slap into reality. Very quickly, it was evident that the project was altogether impossible.’ So writes Elizabeth White (Director, British Council Azerbaijan) about a production of Martin McDonagh’s Leenane Trilogy, performed… Read More

Naked emperors

‘I want to change, but not if it means changing,’ a patient once said to me in complete innocence. This insight from psychoanalyst Stephen Grosz came to mind as I listened to some of the discussion at and around the latest ‘State… Read More

Why I don’t tweet

It was my younger son, who’s a digital native, who persuaded me it was a bad idea. I’d been watching Twitter for a while, slightly mesmerised by its speed, energy and violence. When I gave a talk at the Bush last year,… Read More

How to be an artist

‘I don’t care if you call my work journalism or art or whatever; whatever you want to call it is fine with me.’ Jonas Bendiksen Open for Business Over the past few months, I have been interviewing documentary photographers for a project… Read More

Friendly Interest

For much of the British media, 2014 began with a panic about the opening of the UK’s borders to people from Romania and Bulgaria. It remains to be seen whether more of them will come here than the  Britons who have used… Read More

Quality in community art (MCV7)

The McMaster Review Fashions sometimes change quickly in the arts, and in arts policy too. In July 2007, the then Secretary of State for Culture, James Purnell, commissioned Sir Brian McMaster to undertake a review of ‘excellence in the arts’. The report… Read More

A question of evaluation (MCV5)

It ain’t what you do it’s the way that you do it It had been a wonderful performance, the culmination of a year long community project in a small town. The theatre was packed and the applause had rung loud and long…. Read More

Artists teaching art

Mik Godley, the artist with whom I worked on Winter Fires, is threatened with redundancy from his part-time teaching post at Chesterfield College. It’s the third time in three years and he’s feeling particularly vulnerable because he doesn’t have a formal teaching… Read More

‘All in this together’

The de-politicisation of community art in Britain, 1970-2011 The term ‘community art’ came into use in Britain at the beginning of the 1970s, at a time when the cultural experimentation of the 1960s was confronted both by harsh economic conditions and by… Read More