Mik Godley, the artist with whom I worked on Winter Fires, is threatened with redundancy from his part-time teaching post at Chesterfield College. It’s the third time in three years … Continue reading
The relationship between art and science has been fractious since the Enlightenment, when practices that had often been seen as alternative ways of approaching the same truth began to be … Continue reading
Four weeks ago, the Louvre Museum presented the largest overview of German painting ever seen in France. De l’Allemagne, 1800-1939 De Friedrich à Beckmann brings together 200 works, most of … Continue reading
In August 1983, New York experienced a heat wave of unusual ferocity. One evening, in his 15th floor apartment overlooking Central Park, the BBC’s correspondent, Alistair Cooke, sought to divert … Continue reading
Human beings do not have to make art to survive, which is why it’s relegated to the highest (last) place in Maslow’s much quoted hierarchy of needs. But it’s a grave … Continue reading
When I started this site, at the beginning of last year, I called it the Parliament of Dreams because I’ve used that metaphor to suggest how I see the unique … Continue reading
The de-politicisation of community art in Britain, 1970-2011 The term ‘community art’ came into use in Britain at the beginning of the 1970s, at a time when the cultural experimentation … Continue reading
Diversity has become an increasingly frequent subject in arts management during my working life. It is a focus of conferences, programming, policy and, naturally, of debate in the media and … Continue reading
A couple of years ago Deborah Aguirre Jones began a project working with women experiencing mental health problems in Bristol, where she lives. Supported by a local organisation, Creativity Works, she … Continue reading