Ania Martin as Emma in the 1972 BBC production

‘When will I be loved?’

I’ve been made blue, I’ve been lied to When will I be loved? I’ve been turned down, I’ve been pushed round When will I be loved? Phil Everly (1960) For three decades, at least, the subsidised arts world has been sending love letters to the political class in the form of reports explaining why it…

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Can you see beyond the tent?

Originally posted on Regular Marvels:
Nicole & Martin live in a caravan: it may be the least interesting thing about them. People who live settled lives – most of us nowadays – have always regarded those who don’t with a mix of fascination and fear. Life without (apparent) ties is easily romanticised from the comfort…

Migranland

Art across borders

Migranland It is in the nature of artistic work to reach beyond the boundaries of language, culture and context. You don’t need to know anything about Japan in the Edo era to be captivated by the prints of Hokusai or Kuniyoshi. You cannot respond as a Japanese person might, and still less as a Japanese…

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Ancient and Modern

Originally posted on The Light Ships:
[gallery type="rectangular" ids="2474,2475,2476"] Medieval visions Wrangle Church is known to architectural historians for its rare 14th century stained glass. Such survivals are unusual in English parish churches because artistic work associated with Roman Catholicism was frowned upon after Henry VIII established a Protestant Church of England, and especially by…

Sarajevo, 2014 2

Human diversity is

I have seen the future, brother, it is murder. Leonard Cohen, The Future, (1993) From the street corner where Gavrilo Princip shot Archduke Franz Ferdinand and his wife Sophie – precipitating not only the First World War but a calamitous century – a few steps might have taken him to an Orthodox church, a mosque,…

Wrangle 2

Below the radar

There’s a lot of interest at the moment in the value of culture and cultural value (not the same thing), both in academic and policy terms, and I’ve touched on it before. Research programmes, initiatives like the Arts Council’s Creative People and Places and political speeches can all enrich the debate about how we understand…